Meet Medical Thriller Writer CJ Lyons

I first met CJ Lyons on two Yahoo email lists: Crime Writers and Sisters in Crime. Soon after I discovered that she would be one of the presenters at the OWFI (Oklahoma Writers Federation, Inc. http://owfi.org) writing conference May 1-2, 2008.

Not only did I attend CJ's sessions and have her autograph my copy of her debut medical thriller LIFELINES, but she also joined me at my writing group's table at both banquets.

When I heard about her new novel being released this month, and which I have pre-ordered, I asked her if I could interview her. She agreed, and the following is the result.

Vivian: How did/does your history and home background affect your writing?

CJ: My mom was a voracious reader, so I grew up surrounded by books. I began reading at a very early age and skipped the whole "see Dick run" stage, going right to books like Agatha Christie.

And fairy tales—lots of fairy tales. But not the sanitized Disney version, my mom had lots of the "real" ones—Perraults, Grimm Brothers, etc. I think they helped me to learn the value of a good story, how the hero's journey works on a subliminal level, and also that no happy ending comes without paying a price.

Vivian: Tell us something about your background that has made you a better, or more caring, writer.

CJ: Being a pediatrician definitely has given me insight into how real heroes are born. Watching children and their families respond to tragedy and triumph has both inspired and humbled me.

Since I spent a lot of my career working in urban trauma centers and as a victim's advocate, I also witnessed occasions of true evil—and saw how insidious it is, how easily it can hide in plain sight. And I saw how so many of us live our lives in a gray area between good and evil.

That's the reality of our world. In my fictional world, I try to address this cosmic ambiguity, with many of my characters doing all the right things for all the wrong reasons—or all the wrong things for all the right reasons. I love stories of redemption, of triumph over one's own self.

Vivian: Please fill us in on your hobbies, interests, or activities you participate in during your leisure time. *laugh* If you have any.

CJ: Great question — strange to say, but I used to have a lot more free time when I was practicing medicine! Now that I write full time, it seems that almost everything is tied to the writing. Either getting the current book done, researching the next, or marketing the one hitting the stores now.

But that's all good!. When you do something you love, it doesn't seem like work. And I've been able to expand my writing career to include a busy teaching schedule. Now I get to combine my love of travel with trips to give master classes, workshops and keynotes. This way I'm always meeting new people who share my love of storytelling!

Vivian: Authors are often asked when they started writing or what triggered their interest in writing. I like to know that, also, but I would especially like to know what keeps you writing.

CJ: I've been telling stories all my life—took me a looooong time to figure out the difference between fiction and reality when I was a kid. This led to many hours in time out—which led to more stories fermenting in my imagination…..a vicious cycle.

I honestly don't think I could stop writing if I tried. It's an addiction for me. There are so many stories to tell and so little time.
Vivian: You have so many projects going all the time: working on books, traveling, etc.; how do you manage?

CJ: I'm a lousy housekeeper. Seriously, you should see my place—my Christmas gift to myself was investing in a Dirt Dog robot vacuum cleaner so at least the floors would get done. Now, if I could just teach it to dust and do the laundry….

Vivian: What is your most recent book, and what inspired you to write it?

CJ: WARNING SIGNS is due out on January 27th. It's a coming of age tale, featuring a medical student who is investigating a mysterious illness killing her patients. Then she begins to exhibit the same deadly symptoms herself….

I was inspired by my own experiences as a student. None of us were immune from "medicalstudentitis"—a form of hypochondriasis brought on by exposure to arcane knowledge about rare and mysterious ailments.

I swear at one point we all thought we had Leishmaniasis, Q-fever, Kawasaki's, and Sjorgens—simultaneously! Working 100+ hours a week, plus non-stop studying, poor diet, no sleep, no exercise all combined to produce in us symptoms that we were sure were deadly….only to be reassured by our patient clinical instructors that we would indeed live until tomorrow.

Of course things are never so easy in the fictional world of Angels of Mercy Medical Center and my medical student has something a lot more devastating to face.

Vivian: How did you manage to come up with the idea for your medical thrillers? What would you care to share about any of your books?

CJ: Most of my ideas come from things that frustrate me and that I want to change. Topics that I feel passionate about.

LIFELINES was inspired by a photo I once saw. In it, there was an old man wearing a VFW uniform with a lot of medals and decorations. He was holding a sign that read: Freedom includes the right to hate.

I was caught by the ambiguity—here was a man who had shed blood to protect me and my country, who had earned my respect, yet he was espousing an idea that I despised. That it was okay to "hate" someone because we live in a free society.

Then I read about the ACLU defending the KKK's right to protest during a rally. And I knew that I would use all of these conflicting ideas in a book someday. That book became LIFELINES.

As I said, my second book, WARNING SIGNS, was inspired by my days as a medical student as well as a lot of recent high profile medical stories including the melamine contamination. I kept wondering, how does anyone know if what they eat or drink, the air they breathe, the medicine they're prescribed, if any of it really is safe?

The manuscript I just finished, URGENT CARE, goes in a different direction than the first two books in the series. LIFELINES was more pure thriller, WARNING SIGNS more of a mystery.

But Book 3, URGENT CARE (due out in November) is psychological suspense. It's about facing the truth of your past, learning how to trust again. In it, Nora, the ER's charge nurse, deals with her past as a survivor of a sexual assault.

While writing it I was very cognizant of the fact that this is an uncomfortable subject for many. But I also wanted to be as honest as possible, to illuminate the courage I've seen in victims—and how an assault changes their lives. I can only hope that I did their stories justice and that URGENT CARE will help to inspire and empower readers.

Vivian: Do you have a particular writing process or technique that you use, if so, what?

CJ: Nope. After seventeen years of medicine, following a strict schedule, I totally wing-it now. I have my deadlines and they keep me in check, but I don't write every day or have a set word count or the like. I also don't write in chronological order—which drives my friends who outline and plot crazy.

My only rule is: No rules, just write!

Vivian: How do you feel when you complete a book?

CJ: When I finish the rough draft, first there's this sigh of relief, wow, I did get it done.

Immediately followed by a thrill of elation—Wow! I got it done!

Two seconds later that's followed by: Wow! I have a ton of work to do—this thing stinks!

But, when I finish the final draft (revisions from my editor, page proofs, etc) and it's gone to press and I can't do anything more with it, then I just kind of let it go….like releasing a baby bird and seeing if it will fly.

The readers will decide its fate—all I can do is get to work on the next book and try my best to make it better.

Vivian: What are your writing achievements and goals?

CJ: Achievements? I won a few contests before I was published, LIFELINES has been graced with many wonderful reviews, including a Top Pick from Romantic Times, and good reviews in Publishers Weekly, Newsday, the Baltimore Sun, Pittsburgh Post-Gazette, among others.

But I consider my greatest achievement to be the fact that I had the courage to take the leap of faith to write full time. So far I'm supporting myself on my writing and hopefully will continue to do so!

As for goals—while hitting a list would be nice, writers really don't have a lot of control over that. My main goal is to continue to tell stories that readers love and to inspire, entertain, and empower. If I do that well enough, readers will spread the word and more readers will come…..

Vivian: How do any writing groups benefit you and your writing? Also, we might tie some information about your presentations at conferences with this.

CJ: As much as we love the idea of the lone poet scribbling in his garret, writing today is anything but an individual effort. Yes, it's your idea and your vision, how you make it come to life is unique.

But once you entertain the idea of publishing you're entering a whole new world—a very strange one, I may add, one that it is best not to navigate alone.

That's where the help of fellow writers is invaluable—the writers' groups I'm involved with have offered me invaluable support, motivation, inspiration, knowledge, and guidance. They include the Motivated Writers' Life, Sisters in Crime, PASIC (the published author chapter of RWA), and International Thriller Writers, among others.

I try to give back by offering my own knowledge and support—I have given keynote speeches and taught workshops for groups such as the Colorado Fiction Writers, Oklahoma Writers Federation, the University of South Carolina at Beaufort, RWA National, MWA's Sleuthfest, Lowcountry RWA's Master Class, Left Coast Crime, and PennWriters, among others.

Vivian: What advice would you have for a new author?

CJ: Follow the immortal words of Tim Allen (or Winston Churchill—always get the two confused, lol!): Never surrender, never give up.

I'm convinced that the three key ingredients to becoming a successful author are Vision (know what you write), Passion (know why you write), and Commitment (know who you're writing it for). If you have these three, you can make magic happen!

But always remember, you make your own road to travel—it's no good looking over your shoulder at how someone else is doing it.

And of course: don't forget to have fun along the way!

Thank you, CJ, for visiting with us.


About CJ:
As a pediatric ER doctor, CJ Lyons has lived the life she writes about in her cutting edge suspense novels. Her debut, LIFELINES (Berkley, March 2008), became a national bestseller and Publishers Weekly proclaimed it a "breathtakingly fast-paced medical thriller." The second in the series, WARNING SIGNS, is due out January, 2009. Contact her at http://www.cjlyons.net

Lifelines by CJ Lyons
Berkley/Jove
March 2008
ISBN: 978-0-425-22082-5

Warning Signs by CJ Lyons
Jove, Feb 2009, $7.99
ISBN: 9780515145830

Make Mysteries Better

I take and read several writing magazines: The Writer, WRITERS' Journal, and Writer's Digest. All of them give me ideas and advice that helps me be a better writer. As I read some of the current issues, I realized that some of the articles included suggestions that definitely apply to writing mysteries, thrillers, crime, and/or suspense novels and/or stories.

In my reading, and from my experiences over the years, I found some writing tips that definitely apply to writing mysteries and sub-genres.

Some of the suggestions apply to any writing; some perhaps more to the mystery genres. However, all are usable to us. At the end of this article, I'll give the sources for the information I'm using, besides my own expertise. I highly recommend that everyone read all the articles.

Create believable and distinctive characters. Have you ever read more than one book where at least one character could be dropped into more than one story, even if the names aren't the same, and no one could notice? I mean other than in a series or a sequel that contains the same characters.

Ways to make characters believable and distinctive are several, but a few include 1) to have characters not be predictable, 2) to make them three-dimensional rather than stereotypical or all good or all bad, 3) to "show" their personalities and characters rather than "tell" the reader what kind of person they are. An antagonist shouldn't be a "flat" all bad, evil person. A protagonist shouldn't be all good without any faults or short comings.

Include the four elements. Every well-written novel or story needs to have 1) a strong hook at the beginning to grab the readers attention and keep it.

2) Conflict is necessary to have a plot, a story. Of course without conflict, we would have only a narrative, and we wouldn't have anything to interest a reader.

Conflict leads to a 3) struggle, according to Diane E. Robertson, both internal and external. The ups and downs of the struggle make the plot move forward to the 4) resolution, the end of the story. Authors need to be sure that that end is not a false finish. The end must make sense and satisfy the reader. A surprise ending should still be credible.

Make sure the plot is plausible to the reader. Often, coincidences are thrown in to surprise a reader, but if credibility is stretched too far, the reader won't accept it. Hallie Ephron states, "... never, ever, ever make a coincident integral to the solution."

Don't conceal clues from the reader. The reader should know all the clues as soon as the mystery solver or detective does.

I gave a few of the many tips found in three articles and a bit of my own knowledge mixed in. I'll add to the list later.

***
Sources, besides the information I've accumulated over the years:

The Writer, Hallie Ephron,October 2008 page 26-29; Paola Carso, December 2008 page 28-29.
WRITERS' Journal, Diane E. Robertson, January/February 2009 page 46-47.


I try to use these tips when I write mystery stories or novels, such as my mystery/suspense Midnight Hours from 4RV Publishing.

An interview with J.A. Jance

I’ve had the honor and privilege of meeting author J.A. Jance, first through her books, through e-mails, and then in person at OWFI (Oklahoma Writers Federation, Inc.) Conference in 2008. Not only is she a talented mystery writer, but she is a lovely person.

She was kind enough to answer a few questions, and I feel as if I’m sitting across a table from her drinking a mug of tea as we visit.

VZ: How did/does your history and home background affect your writing?

JAJ: An editor, a short-lived editor, once told me, “The problem with your books is that all your characters do things because of the way they were raised.” I kept waiting to hear what the problem was with that because it’s true for all of us. All of us, fictional characters or not, do what we do because of how we were raised. In some instances, we fight against it. In other instances we embrace it. I came from a loving family where reading was an important activity.

VZ: Tell us something about your educational background that has made you a better, or more caring, writer.

JAJ: When I was a sophomore in high school, my Latin teacher, Mr. Guerra, wrote on the top of an essay I wrote about Servius Tullius, one of the five kings of Rome, “A+, Research worthy of a college student.” That was the first time I had any inkling that maybe I was smart enough to go on to college, and it’s no accident that one of my books is dedicated to Richard Guerra.

VZ: Please fill us in on your hobbies, interests, or activities you participate in during your leisure time. *laugh* If you have any.

JAJ: I’m a bad but nonetheless enthusiastic golfer. Make that fair-weather golfer. And I still love to read.

VZ: Authors are often asked when they started writing or what triggered their interest in writing. I like to know that, also, but I would especially like to know what keeps you writing.

JAJ: I wanted to be a writer from the time I read the Wizard of Oz books in Mrs. Spangler’s second grade classroom in Bisbee, Arizona. A lot of people who “want” to be writers aren’t so much interested in doing the “work” of being a writer—of meeting deadlines; of going on book tours; of sending out 7000 notices in advance of a book coming out. Writing is WORK. But what keeps me writing is knowing I have fans all over the world who use my books as a way to have fun and as a way to get through tough times.

VZ: You have so many projects going all the time; how do you manage?

JAJ: I’m usually writing one book, editing another, and promoting a third. Those are three very different tasks and that I can do. I don’t try to write more than one book at a time. That would drive me nuts.

VZ: What is your most recent book, and what inspired you to write it?

JAJ: I think we all assume that what we do or say in the privacy of our computers is private. Just this week someone reached into my computer—without benefit of a download or permission and messed up my mail programs. Cruel Intent grows out of that same kind of thing. There are predators wandering around on the Internet, and they don’t have our best interests at heart.

VZ: How did you manage to come up with the ideas for your series, which now numbers three, correct? What would you care to share about any of your books? (By the way, I own almost every book you’ve written except the last two)

JAJ: Four actually. Ali Reynolds, J. P. Beaumont, Joanna Brady, and the Walker Family. I started with Beaumont. After writing 9 books about him, I was getting ready to knock him off. My editor suggested that I give him a rest instead. That’s when I wrote the first Walker book and also my first hardback, Hour of the Hunter. When I went back to write about Beau again, it was also fun again. Then they suggested I have another series. Up popped Joanna.

The Beaumont books are police procedurals written in the first person through the eyes of a middle-aged homicide cop. The Joanna books are third person, female point of view. The Beau books are set in the Pacific Northwest where I live now. Joanna lives and works in southeastern Arizona where I grew up. For Beau’s background I used what I learned during my first marriage to a man who ultimately died of chronic alcoholism. For Joanna I used what I learned being a woman in a “man’s job” (insurance sales) and also being a single mother.

The thrillers are set on the Tohono O’odham Indian Reservation where I taught school for a number of years. The Ali Reynolds books are about a middle-aged woman forced by circumstance to rethink her life and start over in a new direction. Been there, done that, too.

(Ooops, I forgot the Walker family, but I’ve read those books, too. *shiver* J.A. gets into her characters almost too well.)

VZ: Do you have a particular writing process or technique that you use, if so, what?

JAJ: I start at the beginning and write to the end. Because I write murder mysteries, I usually start with the murder. Then I spend the rest of the book trying to figure out who did it and how come. I do NOT outline. I know lots of writers who do, but for me, personally, it doesn’t work. I count the words every day. My books are supposed to be around 100,000 words long. By counting the words, I know how many I’ve used and how many I have left before I need to finish telling the story—to me as much as to my readers.

(Knowing I’m not the only writer who does not outline makes me feel better.)

VZ: How do you feel when you complete a book?

JAJ: I feel GREAT!! Starting a book? Not so much.

VZ: What are your writing achievements and goals?

JAJ: My goal is to keep writing as long as I physically and mentally able. I want to be P.D. James when I grow up, and I hope, like her, I’m still writing at age 88.

VZ: Do you or have you participated in writing groups, and if so, what help have they been?

JAJ: I was a single mother when I started writing. A single mother with two kids, no child support, and a full time job selling life insurance. My writing time was between 4 AM and 7 AM when I got the kids up to get ready for school. There were no writers groups that met during those hours, so I didn’t participate in any. I have, however, participated in numerous writers’ conferences. As a college junior, I wasn’t allowed in the Creative Writing Program at the University of Arizona because I was a “girl.” (It’s no accident that the crazed killer in my first thriller is a former professor of Creative Writing from the University of Arizona.) I participate in the conferences because they constitute a back door to the world of writing to many folks who had the front door of writing slammed shut in their faces.

VZ: Does writing help better you as a person? How?

JAJ: It’s a self-starting job. I’m more focused and more motivated by doing this job, one I love, than I would be if I were doing anything else.

VZ: What advice would you have for a new author?

JAJ: When I bought my first computer, the guy who installed my word processing program fixed it so that when I booted up, these were the words that flashed across the screen: A writer is someone who has written today. Those were encouraging words that kept me motivated when I was a beginning writer, and they do the same thing for me today. And today, by the way, I do qualify. Answering e-mail interviews is part of the “work” of being a writer.


Thank you, J.A., for answering my e-mail questions. I know that for you to take time to help another person, by answering questions you’ve probably answered dozens of times before, is a kindness.

J.A. Jance's newest book is Cruel Intent, a Ali Reynolds novel.



cross posted on Make Mine Mystery

Coming soon - interview with J.A. Jance

I've enjoyed J.A. Jance's books for many years. She is one of my favorite modern authors, and I own many of her books, and several are signed by her. In fact the picture to the right is one of her signing one of my books.

Meeting her at the OWFI (Oklahoma Writers Federation, Inc.) conference in May was a great honor.

She graciously agreed to allow me to interview her by e-mail, and next week I will post the interview here.

Meet William Bernhardt

According to William Bernhardt's biography, he has always loved books. He said he wanted to be a writer since he was seven-years old. He received his first rejection letter when he was eleven, and he admits to receiving more over the next nearly twenty years.

He now has at least twenty-nine books to his credit. The most recent title is Nemesis.

William Bernhardt's writing has won many awards, among them: the Oklahoma Book Award for Best Fiction, twice (an award in which I'm most interested, maybe someday I'll receive one); the Southern Writers Guild's Gold Medal Award; and the H. Louise Cobb Distinguished Author Award.

Not only is Mr. Bernhardt a renown author, he's also the founder and owner of HAWK Publishing Group, which is located in Tulsa, Oklahoma.

Bill earned a law degree from the University of Oklahoma after being an English major in college. After law school, he returned for a Masters Degree in English literature. He's also a gourmet cook and, as an accomplished pianist and songwriter, has written the music, lyrics, and script for a musical.

Let's imagine we're sitting at a table at the local Starbucks with Bill Burnhardt. I dig out my list of questions and start the interview:

"Where and how do you find ideas for plots for your books?" I ask, sipping plain hot tea, even though I had to bring my own tea bag and ask for a cup of hot water.

Bill gives a boyish grin. "For me, it's not a question of how do I get ideas; it's how can you not? Ideas are everywhere, when you're out in the world, reading, staying abreast of current events, meeting new people. I write every day, so my mind is constantly in the 'search' mode for good ideas, good characters."

What details help make your characters 'live'?

The details that other people can relate to readily. When I created Ben Kincaid, I wanted a protagonist who was not “perfect,” not Perry Mason, some guy who always wins and always knows the right answers. I can’t relate to that. I can relate to someone who is often unsure of himself, plagued with self-doubt, sometimes succeeding, sometimes failing, but determined to do the right thing. I think most of my readers like Ben because he is a good person but he is not perfect and that’s something they can understand.

If a writer doesn’t have a thorough knowledge of a career he/she wants for a character, how would you suggest the author get into the “skin” of that job?

I would suggest that they spend a lot of time talking to someone in that career and also have them review the manuscript after it’s written. I have done that many times, with police officers, for instance, in my crime novels, or historians, for my forthcoming historical novel.

Your writing career has included several best sellers and awards, but how did you start writing?

I’ve been writing since I was very young. I always wanted to be a writer. I have rejection letters that go back to when I was eleven. And I didn’t publish anything till I was thirty, so that’s an almost twenty year stretch. But I kept at it and eventually came up with something someone wanted. I always tell my writing students, if you keep writing and don’t give up, eventually you’ll publish. It’s true.

Do you finish one book before you start another? How long does it take to finish a book?

Yes.

Depends on what you mean by “finish a book.” Usually these days I can do the actual writing in a few months, but I don’t start writing until I’ve got an idea and I’ve done the research and I’ve put together an outline—and that may take a year or more. The book will digress from the outline a thousand different ways, but the book still goes more smoothly because I have a plan and structure in place. You cannot overvalue the importance of an understanding of story structure—and that’s one of the elements of writing that is least frequently taught.

Since you’re both an author and a publisher, do you find it difficult to wear both hats?

No. I love everything to do with books and I love giving other authors the wonderful opportunity I’ve had to see my work in print.

Which award meant the most to you and why?

The H. Louise Cobb Distinguished Author Award, because it was perhaps the first to recognize that there was something going on in my books beyond mere entertainment, that, to quote the award, my writing was “an outstanding body of work that has profoundly influenced the way in which we understand ourselves and American society at large.”

How can authors find the submission guidelines for your publishing company?

Visit the website: www.hawkpub.com.

I wasn't able to attend your workshop or seminar this past year. Are you holding another one in 2009, and what benefit do authors or developing authors receive from attending workshops or conferences?

The June 6-7 HAWK Writing Workshop is, as the name implies, a workshop, and we focus on getting people writing and improving what they have written. I look for speakers and faculty who are genuinely interested in mentoring and being of use to the next generation of writers. This year, we're being joined by Steve Berry, a multiple New York Times-bestselling author and a leader in the field of historical thrillers, who will talk about his experiences and share the secrets that put him at the top of the list. We're having Susan Piver, also a New York-Times bestselling nonfiction writer and a licensed meditation instructor, who will discuss that and other ways of sparking creativity. We will also have a dozen other authors, agents, and editors. You can learn more about it and register at: www.hawkpub.com/writingworkshop2009.htm.

The following week, I'm hosting two smaller intensive five-day seminars (ten participants, max) for serious writers seeking individualized attention to their work. One seminar is for fiction, the other for nonfiction. I developed this program over the summer at the Maui Writing Retreat and other workshops and it seems to work well--I've already seen two students sell books to major New York publishers! You can learn more about it and register at the same website: www.hawkpub.com/writingworkshop2009.htm

What other comments would you like to make to beginning and to experienced writers?

Never stop writing. This is your dream, and it is an important one. Don’t give up.

Thank you, Bill. I hope readers find this interview as interesting as I have, and they will want to find and read your books if they haven't already.



***
Don't forget to visit Brain Cells & Bubble Wrap for the latest other bits of information from Vivian Zabel.

Farewell, Tony Hillerman

I first “met” Tony Hillerman through his books, mysteries of course, featuring Navajo police officers Joe Leaphorn and Jim Chee. The first novel I found, was his first, The Blessing Way, which came out in 1970. He wove knowledge of the Novajo into his writing so smoothly that I learned as well as enjoyed a good mystery. Anytime I could, I bought or borrowed or swapped to get copies of books I didn’t own already.

Even though Tony was originally from Oklahoma, I never had the opportunity to meet him in person until the Red Dirt Book Festival, October 2003, in Shawnee, Oklahoma. I attended all his sessions, stood in line to get my books autographed, and listened as he spoke at the banquet. Several times he visited with me during the course of the two-day festival. A friendly and gracious man, he signed one of my books with a personal message, giving me a keepsake that I will forever treasure.

One thing he shared with us that weekend, some people around him in the publishing business considered him a prude because he didn’t include sexual scenes. One person told him the closest he came to sexual tension was to have a man and woman shake hands.

Many people have written about Tony over the years, and since his death, but one article that best explains his books is an article by the author himself: “Behind the Books” by Tony Hillerman. I advise anyone and everyone read that essay.

Tony Hillerman’s fans and readers will miss him, and I’m one of those who will.

Anthony Grove Hillerman, writer, born May 27 1925; died October 26 2008.

NOTE: Photo by Kelly Campbell

.

Part 1 - Mystery Writing Tips

As a lover of mysteries since I was a child, I started on Nancy Drew books and kept on reading. Now my favorite mystery authors are William Bernhardt, Anne Perry, and Carolyn Hart, as well as one great writer who recently left us, Tony Hillerman.

As I read mysteries over the years, I studied them because I wanted to be able to write them. Finally, I succeeded after many tries and much study. I'd like to share some of what I've learned.

Between a good beginning and a powerful end, a well-written mystery has to keep the reader's attention through the use of foreshadowing, tension, drama, and action. The reader has to want to turn the page or go to the next chapter to find out what happens next. Only the writer can accomplish that with good writing, dialogue, believable characters and action.

Here are a few tips that will help a writer create a good mystery:

Write a good story: Huh? What does that mean? That means that no matter what tips or tricks or whatevers may be in a mystery, if the story isn't well-written, with correct grammar,spelling, sentence structure, the story won't fly. Kathy Pohl (The Writer June 2007) states it's important to learn the craft, the basics, of writing. Without knowing the basics of writing, once can't write a good story.

All the wonderful ideas found in the mind can't become written stories if the creator can't write the words so that they can be enjoyed and understood by others.

Create strong, believable characters: In a mystery, the writer knows one thing about one character before writing: The killer, if there is a murder, will kill someone. Other than that one fact about the antagonist, nothing else is know about any of the characters. The writer must develop each one thoroughly so that he or she is real, rounded, and believable to the reader.

Flat, one dimintional characters cause stero-types and boring reading. Multi-dimentional characters cause readers to care about them. Even an evil killer can have traits or background that will allow the reader to see him as a person.

Don't rely on a technique: Using a technique such as outlining or storyboarding should be an aid, not a master. Outlining never worked for me, because I work out the story/plot so thoroughly in my head, that's it's real before I start writing. Bestselling crime author Tony Hillerman said that outlining didn't work for him. He tried with the first three novels he wrote and failed and felt guilt-ridden and inadequate. When he decided not to try to outline, he found success.

If outlining works for you, great, but don't become a slave to a technique.

Have a strong plot: Any story must have a plot, a storyline. A conflict is necessary, a climax, a resolution, an ending. In a mystery, there must be a crime or some other type of mystery to be solved. A good book has a major plot and at least a couple of sub-plots. For example, a couple who meet as a result of the mystery and who are attracted to each other create a sub-plot inside the main plot of solving the mystery.

Those points are just some of the ones needed to create a strong mystery. I hope people who read my mysteries, including Midnight Hours, will find those components in my writing.

Note: I met Tony Hillerman and had a few interesting visits with him about five years ago. I enjoyed his writing, and I really liked the man. I'll miss him, as his readers will, too. I'll be posting about him sometime soon, and how he wrote a prized autograph in my copy of one of his books.

Meeting the "names" in mystery

I've been fortunate to meet several mystery writers, some rather well-known ones. Two very important ones live here in Oklahoma: William Bernhardt and Carolyn Hart. Each writes completely different types of books, but I enjoy reading both types because each author is a good writer. Both know how to draw the reader into the middle of their stories. I have books signed by both in my personal library.

Another writer that I admire and have had the privilege of meeting is Tony Hillerman, who's originally from Oklahoma. Hearing that he's not in good health, seeing some years ago that he wasn't, is such a loss to the writing world. I would so enjoy attending his writing conference, now run by his wife, just to be able possibly to visit with him again. I have a special autograph from him: He never put sex in his book, and he recognized another "prude," as someone called him.

J. A. Jance was the keynote speaker at the OWFI 2008 Conference. We visited by email before the conference and in person at the conference. I own several books signed by her, but I didn't take all my J. A. Jance books for her autograph since I own almost every one she wrote.

What other "names" would I like to meet? Anne Perry, but since she's in the UK, that's not likely; Brian L. Porter, another UK resident, but I "meet" him online quite often; and others, but some no longer live.

Some day I hope to find the name Vivian Zabel among some of the better known mystery writers ... some day.